Skin painting : (Record no. 10993)

MARC details
000 -LEADER
fixed length control field 04916cam a2201021 a 4500
001 - CONTROL NUMBER
control field 000043085425
003 - CONTROL NUMBER IDENTIFIER
control field AuCNLKIN
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20150302223908.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field ta
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 080513s2008 qea 000 p eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2008426278
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780702236778 (pbk.) :
Terms of availability $24.95
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)262612869
040 ## - CATALOGING SOURCE
Original cataloging agency ANL
Language of cataloging eng
Modifying agency ANL
042 ## - AUTHENTICATION CODE
Authentication code anuc
043 ## - GEOGRAPHIC AREA CODE
Geographic area code u-at---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR9619.4.H635
Item number S55 2008
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number A821.4
Edition number 22
099 5# - LOCAL FREE-TEXT CALL NUMBER (OCLC)
Classification number 43318333
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hodgson, Elizabeth.
245 10 - TITLE STATEMENT
Title Skin painting :
Remainder of title winner of the David Unaipon Award /
Statement of responsibility, etc. Elizabeth Hodgson.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. St Lucia, Qld. :
Name of publisher, distributor, etc. University of Queensland Press,
Date of publication, distribution, etc. 2008.
300 ## - PHYSICAL DESCRIPTION
Extent 61 p. ;
Dimensions 20 cm.
490 1# - SERIES STATEMENT
Series statement Black Australian writing
500 ## - GENERAL NOTE
General note Cover: 'Hodgson's poems are beautifully nuanced ... subtle and powerful', Jennifer Martiniello.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Machine generated contents note: I am sitting in an exhibition room; alone -- Somewhere beyond this room is the sound of children -- At school I spent my time staring out of the window -- Two girls linger by a triptych - -- The room is quiet again -- This is my memory of my life -- Bindawalla, binda, bindi, bindii -- Little two-year-old in yellow plastic sandals -- Mr Cage, can you imagine -- I am in a room; it is day but the room is dark -- Sometimes the man and his wife go away -- These people give me a religion I do not want -- They change my name, I am no longer Elizabeth -- Little four-year-old with bells on her slippers - -- Every weekday - porridge -- When I don't eat my porridge -- Drip by precious drip, my life re-begins -- I have a toy stroller, filled with dolls -- One day my guardian comes to visit -- I know many places well - some I can still smell -- This place that I know well -- My best friend Vicky and I were invited to the minister's place for tea --
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Contents note continued: Some memory paintings are suitable for public display -- Before Lutanda my father taught us about bush-tucker -- Sometimes I'd buff my shoes until I was mesmerised -- My father gave me a camera -- The adults at Lutanda ran our little lives -- My mother knitted herself a yellow jumper -- The tree-lined street where my guardian's lover lived -- Sometimes we would knock and knock but the door stayed shut -- Father gained custody of me and my siblings -- Now I am fifteen, I am living with my father -- My father is waltzing me around the lounge room -- At seventeen I moved into the anonymity and solitude of Sydney -- Revered in her church community, the step-grandmother -- Have you ever stood on the edge of your country and wondered where you belong? -- I am twenty, homeless and restless -- Husband number one tells me -- Husband number one -- My culture and my place were things I did not know how to reach -- I have an obsession with polished boots --
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Contents note continued: Once, I became a Christian -- There is so much I have lost, there are things I've never known about my people -- When you walk this land do you notice the tracks of my people? -- I am a Wiradjuri woman -- I've heard it said I'm now at the invisibility age -- What is your yardstick, your benchmark? -- I am sitting in an exhibition room in an art gallery -- These words are my phoenix.
586 ## - AWARDS NOTE
Awards note Winner of the David Unaipon Award.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Australian poetry
General subdivision Aboriginal authors.
9 (RLIN) 35708849
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Australian poetry
Chronological subdivision 21st century.
9 (RLIN) 40018139
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title UQP black Australian writers
9 (RLIN) 35784251
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Holdings
Withdrawn status Lost status Damaged status Loan status Home library Current library Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Koha item type
      Available for reference in the library and ILL Jessie Street National Women's Library Jessie Street National Women's Library 17/01/2013 University of Queensland Press   821.4 HOD 66917 17/01/2013 Book